9780300105148
Clueless In Academe: How Schooling Obscures The Life Of The Mind - Gerald Graff
Yale University Press (2004)
In Collection
#5120

Read It:
Yes

Editorial Reviews
Review
"Clueless in Academe is charming... The reader chuckles in recognition over the tales told of scholars and students." Terence Kealey, The Times Higher Education Supplement; "Graff is reopening the door on a major debate. In the wake of theory, in the wake of feminism, post-colonial criticism and all the rest, what is a liberal arts education supposed to be about? How should teachers teach? What should students learn? Intelligently, humanely, Gerald Graff is bringing all of these questions back home to the classroom, which, at least for now, seems exactly where they belong." Mark Edmundson, Washington Post Book World; "Graff writes with lucidity and charm... A worthwhile work." Steven Lagerfeld, Wall Street Journal"
Review
"Graff is reopening the door on a major debate. In the wake of theory, in the wake of feminism, post-colonial criticism and all the rest, what is a liberal arts education supposed to be about? How should teachers teach? What should students learn? Intelligently, humanely, Gerald Graff is bringing all of these questions back home to the classroom, which, at least for now, seems exactly where they belong."—Mark Edmundson, Washington Post Book World


"[Graff] writes with lucidity and charm. . . . A worthwhile work trapped in an enigma."—Steven Lagerfeld, Wall Street Journal

Product Details
Dewey 306.43
Format Paperback
Cover Price 20,00 €
No. of Pages 320
Height x Width 204 x 138 mm

Notes
This is the book on learning in the classroom that I've been waiting for. So often, even interested students don't get what their teacher wants. When this happens, they can lose confidence in their native abilities and teachers become frustrated in themselves and their students. With Gerald Graff's guidance, teachers can now demistify their expectations while validating their students' intelligence. While this book is directed to teachers, parents will appreciate it as well and may want to pass it on to their child's teachers. (Indeed, some goal-oriented parents may find the chapter on writing an admission essay worth the price of the book alone.)

Graff is an English professor, formerly of the University of Chicago and now at the University of Illinois, Chicago. He gained some fame in the early 1990s for arguing against his then-U. Chicago colleague Allan Bloom's understanding of Western culture. In this book, Graff looks into the great chasm between students and teachers and finds on one side Arguespeak, the language of teachers, and, on the other side, Studentspeak, the language of everyone else. Arguespeak consists of looking at particular aspects of a subject matter critically, in light of what one knows about the whole field. Studentspeak makes itself heard whenever people talk about everyday things: friends, food, movies, work, video games, t.v. shows, and so on. Problems arise when teachers want to hear Arguespeak from their students but only get Studentspeak. Graff's book offers concrete ways to help teachers teach their language to students.

The main obstacle to understanding Arguespeak is that every critical comment uttered by a teacher is made within a larger conversation about a topic or subject. Teachers make their judgements about, say, the historical significance of the Magna Carta, or Twain's sense of irony, based on their knowledge of what others in their field have to say about these issues. Students rarely know how to formulate such judgements because they are unaware of the conversation their teacher is participating in. They are clueless.

But, their teachers are just as clueless about helping them. Graff draws on the work of several education theorists and compositionists (writing instructors) to offer a commonsense way to align the expectations of students and teachers without sacrificing achievement. First, teachers must not feel compelled to teach everything--better to teach a fewer number of topics in depth rather than treat the whole range of a subject like a giant slalom course. Graff would rather see teachers spend more time teaching their students to think. Second, teachers must show students how to enter the critical conversation of their subject by having them practice with the conversations they participate in all the time. Everyone has an opinion about something; everyone has a topic they can think critically about. Graff recommends using what kids already know, especially with regard to popular culture, in class to develop their critical faculties. Graff offers concrete ways to integrate students' nonacademic interests with their academic responsibilities and get them on the road to expressing their opinions in academically useful ways. Following these measures in combination with the regular study of the humanities, math, and sciences bridges the gap between the students' way of thinking and their teachers' way of thinking. To make things very clear, Graff even offers a template for writing the standard five-paragraph critical essay. While some may find this objectionable, I agree with Graff that this kind of essay is a valuable pedagogical exercise. The student doesn't sacrifice any originality if he's given a structure within which to operate because he still has to come up with his own ideas about the topic itself. I look forward to using it in my own classes this year and expect that this template will free up the students to express their ideas in a more critical and engaging manner.

I can't overemphasize this book's practicality. At all points, Graff has his eye on what actually goes on in the classroom, on what the students are actually thinking about and working on. I am certain that teachers, especially at the high school and college levels, and parents will value his insights.